Chrystalline: Sparkly Purple Vanilla Girl

Commentary on the Entertainment Industry and the Web

Posted by Chrystalline on December 31st, 2005

The strange thing is, I wrote this back in September 2004. I was sorting through stuff on my computer today and found it, and didn’t remember that I’d written it. I kept looking for an indication of what news website I’d saved it from. It’s a bizarre kind of self-flattery, I guess, to realize ‘Hey, I wrote that!’ Even more interesting to note that the studios are starting to try web downloading.

People are tired of commercials. Advertising is everywhere - billboards along the roads, commercials on TV and radio, flyers in the mail, spam in the email inbox, popups and banner ads on websites, posters at your favorite stores or restaurants - each one flashier and brighter than the last in a game of one-upmanship where everyone loses. Consumers grow jaded, and advertisers grow frantic.

People are also complaining about the low intellectual content of current TV fare. People have commented that higher intellectual capacity audiences are less likely to be influenced by the commercials, and thus it is in the best interest of advertisers (and, by extension, TV providers) to cater to the lower intellectual capacity audiences. More and more people are simply ceasing to watch TV.

The theater system is collapsing. The techno-savvy are resorting to the web in greater and greater numbers, and shunning the ever-increasing prices of the theaters and the ever-increasing commercials of the TV. If the MPAA is smart, they’ll start offering legal movie downloads soon, because the illegal system is growing. The RIAA garnered considerable ill-will with its legal action against music-downloaders. It is much better to strike before the movie-downloading becomes widely accepted.

As those who can afford high-speed internet continue to abandon the theaters, the cost of theater tickets will continue to increase. Eventually, the cost will exceed the amount that non-high-speed-internet audiences will be unable to afford theaters, and the theater system will die. Like the horse-drawn buggy, which is still in use among those wealthy enough to indulge their interest in equine activities, there will be a few holdouts, but overall, the system as it is will fail.

There are two main reasons web broadcast has not taken off like it could:
1. The majority of web broadcasts are seen as inferior products which couldn’t make it on TV, and therefore are not worth time and/or money.
2. Many people do not yet have high-speed internet.

The first argument is also a valid explanation of why direct-to-video seldom does well. Unfortunately, this assessment is often true. Many direct-to-video and webcast programs are poorly written and/or executed. The web is a medium with virtually unrestricted access, making it highly attractive to those who cannot make it in the traditional distribution system. Still, even ‘making it’ in the traditional system is no guarantee of quality. Every season one series becomes popular while another ‘bombs.’ The problem is not that there are too many bad programs on the web, but that there are not enough good programs on the web. If a recognizable ‘major player’ in The Industry were to start webcasting good, solid programs, the market would shift. Public opinion of the web as a broadcast medium would improve. Perhaps a televised pilot followed by a web-only series would be a practical start.

Implementation has many options: pay-per-episode, pay-per-season, pay-per-year. Avoidance of in-program advertising is imperative, as including ads negates the advantage of webcasting. Site ads should be unintrusive (no popups or seizure-inducing flashers). Streaming vs. downloading is another issue with many facets; streaming means one viewing per login, while downloading generally garners more favor. Public goodwill is a major motivator frequently ignored in The Industry these days; it shouldn’t be. Word-of-mouth is the most powerful advertising in existence. It is foolish to throw that away. Season release to DVD could be offered as each season finishes. For that matter, on the web, season is a relative term. New definitions could arise. The point is to get audiences paying directly for content they like, available when they want it.

Why would people pay for DVDs of content they can download? Extra features. If anything proves the value of extra features on DVDs, it is the phenomenon surrounding Peter Jackson’s Lord of the Rings trilogy. Theatrical Editions, Extended Editions, Boxed Sets…each with different special features, encouraging fans to buy every version in order to see all the special footage. If the special feature content is good, people will buy it. More to the point, people will buy content if it is good.

Another advantage of the web as an entertainment medium is the lack of time constraints. Too long for a one-hour show but not long enough for a standard miniseries? No problem. The web doesn’t have to follow the network clock. The web doesn’t have to worry about filling the theater as many times as possible (a major factor in trimming down longer films). The web is accessible around the world. No more having to deal with international distributors; skip the middleman and webcast it. Season sets of DVDs can be offered to all regions; just have links from the homepage to vendors offering the sets for sale.

A massive PR campaign will likely be needed to rescue the reputation of direct-to-video (or DVD), but in combination with webcasting, DVD sales should do well. Let’s face it; people want to know something about the product before they buy it. Direct-to-video will always have that problem to face.

As to the second problem: more people will invest in high-speed internet when they see a finanicial benefit to it.

Personally, I’d love to see billboards eliminated. I already have filters in use to eliminate spam, and my phone number is unlisted. The TV? Only used to watch pre-recorded tapes and DVDs, and even the tapes I’m gradually phasing out. My firewall includes ad- and popup-blocking features, and I’ve never been big on radio. When I want to find something, I websearch. Before websearch, I used phonebooks. How is this hard for advertisers to understand? People are overwhelmed, and the backlash of the Do-Not-Call list should have been foreseen. People want to be left alone unless they choose to contact sellers. Simple. Easy. And a principle totally ignored.

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